I am very grateful also to Tamsin Selby of UBS for her help with the HNW collector surveys, which expanded significantly this year, providing hugely valuable regional and demographic insights for the report.

Babban mai samar da bayanan gasa na zanen fasaha na wannan rahoto shine Artory, kuma na yi matuƙar godiya ga Nanne Dekking tare da Lindsay Moroney, Anna Bews, da Chad Scira for their hard work and dedication in putting together this very complex set of data. The auction data on China is supplied by AMMA (Art Market Monitor of Artron), and I am very grateful for their continued support of this research on the Chinese auction market. Many thanks also to Xu Xiaoling and the Shanghai Culture and Research Institute for their help researching the Chinese art market.

Data from Wondeur AI on gallery, museum, and art fair exhibitions was a very valuable new addition to the report this year. My sincerest thanks also to Sophie Perceval and Olivier Berger for their help generating the data, as well as for offering their key insights on gender, artists’ careers, and other interesting perspectives.

Ina so in gode wa ƙungiyar Artsy, musamman Alexander Forbes da Simon Warren, saboda ci gaba da goyon bayansu ga rahoton, suka ba da damar shiga babban kundin bayanansu na gidajen baje koli da masu zane don nazarin muhimman batutuwa a fannin gidajen baje koli da kuma taimakawa wajen bincika dangantaka tsakanin masu siye da masu sayarwa a kan layi.

Na gode ga Marek Claassen na Artfacts.net saboda goyon bayansa da samar da bayanai kan baje kolin da gidajen baje koli. Hakanan na gode sosai ga dukkan baje kolin fasaha da suka raba bayanai don rahoton.

Musamman godiya ga Benjamin Mandel saboda bincikensa mai ban sha'awa kuma mai zurfi kan dangantaka tsakanin kasuwanci da kasuwar fasaha, wanda ya ba da mahimman bayanai ga wasu jigogi na rahoton a wannan shekara. Ina kuma matuƙar godiya ga Diana Wierbicki na Withersworldwide saboda taimako da bayanai da fahimta kan dokokin haraji na Amurka, da ga Bruno Boesch saboda shawarwarin shari'arsa kan batutuwan Turai.

Finally, I am very grateful to Noah Horowitz and Florian Jacquier for their time and encouragement in helping to coordinate the research.

Dr. Clare McAndrew
Arts Economics