Trh s umením 2022 predstavuje výsledky výskumu globálneho trhu s umením a starožitnosťami za rok 2021. Informácie v tejto štúdii sú založené na údajoch zhromaždených a analyzovaných priamo spoločnosťou Arts Economics od obchodníkov, aukčných domov, zberateľov, veľtrhov umenia, umeleckých a finančných databáz, odborníkov v odvetví a ďalších zapojených do obchodovania s umením.

I would like to extend my gratitude to the many suppliers of data and insights that make this report possible. A critical part of this research every year is the global survey of art and antique dealers, and I am especially thankful to Erika Bochereau of CINOA (Confédération Internationale des Négociants en Oeuvres d’Art) along with the association presidents worldwide who promoted the survey in 2021. Thanks also to Art Basel and to all of the individual dealers who took the time to complete the survey and share their understanding of the market through interviews and discussions.

Poďakovanie aukčným domom prvej a druhej kategórie, ktoré sa zúčastnili prieskumu o aukciách a poskytli svoje názory na vývoj tohto sektora v roku 2021. Osobitná zmienka patrí Grahamovi Smithsonovi a Susan Miller (Christie’s), Simonovi Hoggovi (Sotheby’s), Jasonovi Schulmanovi (Phillips) a Jeffovi Greerovi (Heritage Auctions), ako aj Louise Hood (Auction Technology Group) a Suzie Ryu (LiveAuctioneers.com) za ich údaje o online aukciách.

I am extremely appreciative of the continued support from Tamsin Selby of UBS with the HNW collector surveys, which expanded significantly this year to include 10 markets with the addition of Brazil, providing hugely valuable regional and demographic data for the report.

Data on NFTs was supplied by NonFungible.com and I am very grateful to Gauthier Zuppinger for his help in sharing this fascinating dataset. Very special thanks also to Amy Whitaker and Simon Denny for their expert perspectives on NFTs and their relationship to the art market.

Ďakujem Diane Wierbicki a jej kolegom z Withersworldwide za ich pomoc s informáciami o daniach a reguláciách. Moju zvláštnu vďaku patrí Pauline Loeb-Obrenan z artfairmag.com za udelenie prístupu k jej komplexnej databáze o veľtrhoch umenia.

Hlavným dodávateľom údajov o aukciách výtvarného umenia pre túto správu bol Artory, a moje poďakovanie patrí Nanne Dekkingovi spolu s dátovým tímom Anna Bews, Chad Scira, and Benjamin Magilaner for their dedication and support in putting together this very complex set of data. The auction data on China is supplied by AMMA (Art Market Monitor of Artron), and I am very thankful for their continued support of this research on the Chinese auction market. Many thanks also to Richard Zhang for his help researching the Chinese art market.

Finally, my sincerest gratitude to Anthony Browne for his help and advice on parts of the report, to Marc Spiegler for his insights, and especially to Nyima Tsamdha for coordinating production.

Dr. Clare McAndrew
Arts Economics