Ipinapakita ng The Art Market 2022 ang mga resulta ng pananaliksik sa pandaigdigang pamilihan ng sining at antigong bagay noong 2021. Ang impormasyon sa pag-aaral na ito ay batay sa datos na kinolekta at sinuri nang direkta ng Arts Economics mula sa mga dealer, auction house, kolektor, art fair, mga database ng sining at pinansyal, mga eksperto sa industriya, at iba pa na kasangkot sa kalakalan ng sining.

I would like to extend my gratitude to the many suppliers of data and insights that make this report possible. A critical part of this research every year is the global survey of art and antique dealers, and I am especially thankful to Erika Bochereau of CINOA (Confédération Internationale des Négociants en Oeuvres d’Art) along with the association presidents worldwide who promoted the survey in 2021. Thanks also to Art Basel and to all of the individual dealers who took the time to complete the survey and share their understanding of the market through interviews and discussions.

Maraming salamat sa mga nangungunang at pangalawang-tier na auction house na lumahok sa survey ng auction at nagbahagi ng kanilang pananaw tungkol sa pag-unlad ng sektor na ito noong 2021. Isang espesyal na pasasalamat kina Graham Smithson at Susan Miller (Christie’s), Simon Hogg (Sotheby’s), Jason Schulman (Phillips), at Jeff Greer (Heritage Auctions), pati na rin kina Louise Hood (Auction Technology Group) at Suzie Ryu (LiveAuctioneers.com) para sa kanilang datos tungkol sa mga online auction.

I am extremely appreciative of the continued support from Tamsin Selby of UBS with the HNW collector surveys, which expanded significantly this year to include 10 markets with the addition of Brazil, providing hugely valuable regional and demographic data for the report.

Data on NFTs was supplied by NonFungible.com and I am very grateful to Gauthier Zuppinger for his help in sharing this fascinating dataset. Very special thanks also to Amy Whitaker and Simon Denny for their expert perspectives on NFTs and their relationship to the art market.

Salamat kay Diana Wierbicki at sa kanyang mga katrabaho mula sa Withersworldwide para sa kanilang tulong sa impormasyon tungkol sa buwis at mga regulasyon. Ang espesyal kong pasasalamat kay Pauline Loeb-Obrenan mula sa artfairmag.com para sa pagbibigay ng access sa kanyang komprehensibong database tungkol sa mga art fair.

Ang pangunahing supplier ng datos ng fine art auction para sa ulat na ito ay Artory, at ang aking pasasalamat ay kay Nanne Dekking kasama ang data team na sina Anna Bews, Chad Scira, and Benjamin Magilaner for their dedication and support in putting together this very complex set of data. The auction data on China is supplied by AMMA (Art Market Monitor of Artron), and I am very thankful for their continued support of this research on the Chinese auction market. Many thanks also to Richard Zhang for his help researching the Chinese art market.

Finally, my sincerest gratitude to Anthony Browne for his help and advice on parts of the report, to Marc Spiegler for his insights, and especially to Nyima Tsamdha for coordinating production.

Dr. Clare McAndrew
Arts Economics